MUSICAL DISCOVERIES
cd reviews - October 10, 2008
Russ Elliot
Midnight Matinée
MusicalDiscoveries.com
5 Stars
The Lost Patrol are back, now fronted by their new singer Mollie
Israel. Steven Masucci (all guitars, snyths, lap steel, bass, programming)
and Michael Williams (12-string acoustics, keyboards, vocals) complete
the lineup. The downstate New York band's former vocalist Danielle Kimak
Stauss left for personal reasons shortly after the band's 2007 release
of Launch and Landing. After a six month hiatus and diligent search by
the remaining band members, Mollie Israel was selected to be the new lead
vocalist. The first serving from the new lineup is the ten-track independently
released album entitled Midnight Matinée (The Lost Patrol (USA),
2008).
The Lost Patrol's original sound evolved from their primarily instrumental
(and very rare) debut EP entitled Return of the Reverb-O-Rangers (1999).
The group's guitar work is reminscent of The Shadows. With one track by
vocalist Gail Buchanan who also toured with the band during that era,
the debut EP clearly set the reverb-centric electric guitar texture for
the band's full length offerings.
The Lost Patrol began to emphasize female vocal-fronted tracks when Danielle
Stauss joined in 2000. About the band's longtime vocalist, one critic
wrote, "Danielle's voice summons the coolness of Siouxie roaming
through a little long lost Grace Slick spaciness and brought back down
to earth with a touch of Ronnie Spector's splendor." Today, Mollie
Israel's voice, different but no less powerful than Danielle's, works
well with the guitars. Her sound, power and range can be favorably compared
to the stunning Canadian singer Jody Quine (Balligomingo, Sleepthief,
Viia).
While the loss of a longtime lead singer might devastate some bands, the
addition of Mollie Israel appears to have given creative inspiration to
The Lost Patrol. Guitars still shimmer with almost endless reverb, but
the individual songs clearly demonstrate more variety in construction,
both instrumentally and vocally.
All but the debut EP and second EP Scattered, Smothered &
Covered (2002) remain available both in digital and physical formats.
The band's other great titles include: Creepy Cool (2000), Off Like A
Prom Dress (2003), High Noon (2004), Lonesome Sky (2005) and Launch and
Landing (2007).
A powerful rock ballad entitled "On The Run" opens
The Lost Patrol's new album. The new singer's power is immediately evident
but further enhanced with reverb to soar above the electric guitars. Additional
keyboard parts enhance the sound on "Silver City Sunset." Album
standout "Homecoming," prepared in the upbeat and rocking style
similar to the band's earlier work continues to showcase Mollie's vocal
range and energy with an everlasting melody. "Serenade" is similarly
constructed, with only the raunchiness of the guitars keeping the track
out of pop territory. In contrast to the upbeat numbers, the album also
offers delightful and softly delivered electric guitar-backed ballads
"Blue Lullabies," "Fades From View" and the stunning
track "Distance." Keyboard washes effectively highlight the
upper end of Mollie's range.
In addition to the reverb rich electric guitar textures, the
artists draw on further effects and keyboards across several intros and
outros. We also appreciated the production of vocal harmonies on tracks
"Fades From View" and "Colours Turn Grey." Mollie's
voice has the power not to 'require' the layering, but it adds texture
and additional strength to the sound of these tracks. Almost gothic textured
solo and harmony vocal parts soars above instrumentals in the greatly
appreciated stadium rocker "The Fallen." The album concludes
with standout "Jukebox On The Moon." An upbeat and 60s generation
rocker, the memorable and well arranged pop-style track also showcases
Mollie's stunning vocal talent.
With Midnight Matinée, The Lost Patrol continue to stretch
and grow. They love reverb. In addition to their electric guitar power
and strong rhythm section, the band demonstrate virtuousity in style and
sound. Mollie Israel's power and range provide an excellent addition to
the ensemble. While we would have appreciated a longer album, it is an
excellent effort for the half year taken to produce it. The album is available
from the band's webstore and at live performances. The new lineup are
already gaining a strong following in their supporting tour. The Lost
Patrol's future is brightening every day.
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