REVIEWER MAG
cd reviews - April 30, 2010
Kent Manthie
Dark Matter
ReviewerMag.com
The
Lost Patrol
Dark Matter
Self-Released, 2010
On the follow up to their debut CD from last year, The Lost Patrol
come at us with this bliss-out of a CD, Dark Matter, an agreeable CD to
say the least, no sophomore slump here – it looks like they probably
played some shows around and then got back to work as soon as they could
in order to keep the continuity going. Some bands, who I won’t mention
here, have released phenomenal debuts and then rested on their laurels
but by the time their follow-up finally came out it was like – who?
– in this biz you have to be as relevant as possible because all
sorts of soundz are going to come out of the woodwork during that time
you’re not being creative.
On this slick, candle-lit dinner of a CD, The Lost Patrol, fronted
by a singer with a very potent set of lungs: Mollie Israel who is part
of a trio that also includes Stephen Masucci on the guitar, bass, the
Omnichord and “programming” and rounding them out is Michael
Williams, who adds his touch with the 12-string guitar.
The CD has an array of sweetness and light, but backed with a
pronounced bass presence and a good drummer. The tight beats keep the
music from turning into a mass of ether and floating away.
Songs like “Lay In Wait” and “In Your Blood” show
off their “pop” side while others like “Justine”,
“Calling Your Own Name” and “These Days” delve
into the more moody aspect of them, the latter three are more slowed-down,
atmospheric and melancholy. The songs are all credited to “The Lost
Patrol” not to any one band member, which shows that it is a real
collaborative effort.
Maybe it’s the way the CD’s been self-produced &
released that gives the disc that certain “edge” that is just
this side of raw, but polished up as best they can. For doing it their
way on their own, Dark Matter has turned out to be a success. It’s
got a diverse bunch of smooth tunes. Some chill-out, quasi-ballad-esque
songs, melancholy laments, plus more upbeat, almost pop stuff that shines
at its best, like “Calling Your Own Name” or “Play Me
For a Fool”.
It’s hard to pin The Lost Patrol down because they’re
all over the place. Of course, it’s always under “Rock”
at stores or online shopping, but as for subgenre, you can’t say
they’re “post-this” or “neo-that” and I
don’t really know anyone I could compare them to except for maybe
the Cowboy Junkies but at a faster pace and with more laissez-faire as
well, musically, that is. It’s really just a good indie rock CD
that isn’t too long and has originality as well as spirit in its
eleven tracks. Let’s just hope that they keep on releasing CD after
CD of this unique spirit of music.
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